The structure of the song is the least conventional on the album, presented as three verses with no hook or repetition, but that doesn’t stop Jordan from showing off her vocal prowess. “Let’s Find An Out” is another standout track, highlighting Jordan’s classical guitar training with lovely picked melodies over a minimal rhythm section. It’s heartbreaking to hear Jordan wish her ex the best in her new fling, but the pain is offset by her sense of acceptance that it wasn’t going to work because she’s “not into sometimes.” Jordan is tackling the rejection, isolation, and disappointment the majority of teens will struggle with, but instead of just letting us all know that yes, life does fucking suck, she also reminds us that there is always a lesson to be learned that may just help life suck a little less in the future. The track steps up Jordan’s laid-back guitar style with tasteful distorted leads and a brief, but ripping, solo.
This thoughtfulness is further exemplified on album highlight “Heat Wave,” as she comes to terms with the fact that her and a lover just aren’t on the same page. But Jordan’s words do not simply focus on the pain of experiencing these things, but her experience on coming to terms with the past in order to move forward. She’s not begging for a second chance and offering to change for her ex, she’s confidently letting them know she will not let them “take for a ride.” It’s not to assume that Jordan is some kind of advanced super human that has somehow found a way to bypass all the anger, blame, and frustration that comes with teenage romance-all of these things are present in the lyrics on LUSH. While the subject matter is certainly a staple in emotional songwriting, Jordan’s spin on the content sets her take apart from her predecessors and contemporaries. Jordan continues to dole out her youthful wisdom in “Speaking Terms,” where she laments a failed relationship over a dreamy guitars and airy synths. If this level of maturity and comfort with accepting things as they are existed within anyone I associated with when I was 19, it was easily silenced and overpowered with a suggestion of “shut up and have another drink.” With lyrics like, “ Is there any better feeling than coming clean,” Jordan displays a determined and straightforward sense of self-awareness that seems to be an anomaly for someone her age.
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The song is simple, yet dynamic, full of clean rolling guitars and soaring vocals, and line after line of quotable teenage maxims that have more likely than not have been feverishly scribbled into diaries of hopelessly conflicted adolescents time and time again. “Intro” fades into lead single “Pristine,” bringing Jordan’s powerful vocals front and center. The shortest track on the album, it has enough time to establish the lyrical themes of honesty and acceptance that characterize the album as a whole, but that self-assuredness is perfectly summarized in the opening lines of “Intro” as she tells herself, “ Go get it all, let ‘em watch.” The album opener to Snail Mail’s eagerly anticipated debut LUSH, aptly titled “Intro,” is deceptively lo-fi in its production, with a sparse single guitar line carrying Jordan’s reverb-drenched vocals. This article previously appeared on Crossfaderįavorite Tracks: “Pristine,” “Heat Wave,” “Let’s Find An Out,” “Speaking Terms”Īt 19 years old, Lindsey Jordan uses LUSH’s 38 minutes to make it very clear that she knows who she is and what she wants.
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